They were the icons of an era when gaming exclusives drew lines in the sands and led to some of the fiercest playground battles over system loyalty the industry would ever see. Sonic/Sega fans would push and say “Sonic games are faster, and therefore better. Plus, we’ve got blood in Mortal Kombat.” The Mario/Nintendo loyalist would throw sand in their foe’s eyes and retort, “oh yeah? Well Mario’s about the adventure, and so is Final Fantasy.” It was a time when you usually owned only one system, and you owned it because you would only get certain games. It was…well kind of a glorious age.
Even better, indie games can afford to lose. They are often low cost, low maintenance, high concept works that don’t rely on reaching a certain figure to be considered viable, and as such they can throw caution to the wind and take some big risks while still making a profit off of even the most modest sales. That means they can also afford to remain loyal to a system like an undertaker with a debt to the don, as while they might want the money that can come with being a multi-platform release, what they need is the backing and spiritual support of a major company like Sony, Microsoft, or Nintendo to get their games out there. A backing that is no longer lip service and is becoming very, very real.
Monsters from many games in the series will make an appearance, as will many location names from other games. Specific hero characters from other games will not make an appearance, but there are plenty of reference to other Dragon Quest games that should make long time fans smile.
The big semi-mystery of Minecraft Dungeons, though, is what this has to do with Minecraft. It’s a fun, light action-RPG, sure, and the world needs more games parents can play with their kids, but Minecraft is a skin draped over the action rather than having any real effect on the game’s design. Everything looks right but that’s as far as it goes. Not a single block in the game is breakable and there’s nothing to build. This could just as easily have been My First Diablo as anything else, and the Minecraft license ends up feeling like a check box filled in on the marketing list.
There’s probably a good reason people build dungeons. At first it seems like a great plan to construct a subterranean labyrinth, because maybe the kingdom needs a place to store its surplus supplies or random undesirable people. Why build a giant construct from wood and rock when there’s so much unused space underfoot, other than mining being crazy-hard to get right. The point is, eventually all that space attracts things. Big, mean, hungry things that no society can function around. Zombies and skeletons are only the start of the problem, and it doesn’t take long for an evil overlord to come along and put this undead labor to use devastating the countryside. Dungeons are an archaeological trap, useful right up to the point they’re the base for the downfall of the realm, and the ones in Minecraft Dungeons are a perfect illustration of how it all goes horribly wrong.
While that could serve as the intro to any number of creepy fan fiction tales, my thoughts were much more earnest, yet still slightly troubling. Specifically, they were about how the blue hedgehog and vertically gifted plumber were real oddballs as far as company mascots go, in that they weren’t really dreamed up by a PR team or advertising firm, but rather by the products themselves.
In a way its reminiscent of the film industry in the ’90s, when guys like Quentin Tarantino were causing as much buzz as names like Steven Spielberg, and for a fraction of the cost. It was a time when film studios were snatching up every indie film they could get, while others like Miramax were becoming among the most successful around for being known as the home of daring new independent films that not only excited audiences with their infinite artistic possibilities, but equally thrilled their producers with insane profit margins.
Someone needs to have a nice sitdown with the gaming industry about VR and what it can and can’t do. The ability to transport the viewer inside a scene is incredible, and if that scene happens to be in the cockpit of some kind of ship, then it opens up a whole range of movement options that would otherwise be a bad idea. Putting the player behind the eyes of a protagonist who walks around freely in the standard FPS viewpoint, on the other hand, is something that has only sounded awesome. It’s hasn’t been. Really, seriously, it’s kind of sucked, and while wanting it to be different won’t change that, clever viewing systems just might. So now Minecraft news has official VR support, and it’s taken an interesting approach to the presentation that’s a little awkward but usable.
Each level grants a purple gem/swirly-thing and these are used to buy equipment abilities. Once committed there’s no taking the gems back until trashing the item, at which point they’re refunded in full. Level one is one gem, two is usually two gems, etc, but there are also rare powerful abilities that get more expensive. I held on to the Harp Bow longer than practical thanks to it not only shooting five arrows per shot but also having a chance of an arrow dividing into another five on hit, despite how expensive it was to power up. That kind of crowd control is worth saving up for, after all, but there’s always going to be more loot later that will finally make swapping out an irresistible prospect.